Shostakovich and the challenges of interpretation. Lost in translation ; The naked heart ; Essential truths -- Placing the preludes and fugues. Understanding the 1948 Resolution ; Public and private ; Wasted labor ; Analyses and metaphors -- The cycle as a whole. Back to Bach ; Shostakovich and the Russian contrapuntal tradition ; Strange bedfellows ; Shostakovich's earlier preludes, without fugues -- Personalities in pairs. The self seeking substance ; No. 1 in C major ; No. 2 in A minor ; No. 9 in E major ; No. 10 in C-sharp minor ; No. 15 in D-flat major ; No. 16 in B-flat minor -- Slow tendencies. The poetics of estrangement ; No. 4 in E minor ; No. 6 in B minor ; No. 8 in F-sharp minor ; No. 12 in G-sharp minor ; No. 13 in F-sharp major ; No. 14 in E-flat minor -- Active surfaces. Outbursts and thrill rides ; No. 3 in G major ; No. 5 in D major ; No. 7 in A major ; No. 11 in B major ; No. 17 in A-flat major ; No. 21 in B-flat major -- Completing the cycle. Listening for the plot. No. 18 in F minor ; No. 19 in E-flat major ; No. 20 in C minor ; No. 22 in G minor ; No. 23 in F major ; No. 24 in D minor -- The ethics of expression: towards a performance history. Embracing clichés ; The phobia of expression ; The performance as the work ; Sentimental and ideological traditions ; Performance, sincerity, and authenticity.
Namn/titel
Sjostakovitj, Dmiitrij, 1906-1975.: Preludium och fuga piano, op. 87