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Kiernan, Pauline.
(författare)
Staging Shakespeare at the new Globe [Elektronisk resurs] /Pauline Kiernan.
Förlag, utgivningsår, omfång ...
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Publicerad:Basingstoke :Publicerad:Palgrave Macmillan,Publicerad:1999
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192 p.
Nummerbeteckningar
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LIBRIS-ID:12518842
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ISBN:9780230380158£106.80
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ISBN:0230380158£106.80
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Ogiltigt nummer / annan version:9780333662724 (Print)
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Klassifikation
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Ämneskategori:PER eflch
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DDC:792.95 21
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Ikbkssb/8 (machine generated)
Anmärkningar
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Electronic book text.
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Epublication based on: 9780333662724, 1999.
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Preface Acknowledgements A Note on References and Abbreviations List of Plates PART ONE: THE SHOCK OF THE OLD Introduction The Space of the Audience Dramatic Illusion in the Open Playhouse Dramaturgy, 3-D Acting and Daylight Space PART TWO: STAGING HISTORY: HENRY V IN PREPARATION AND PERFORMANCE Preparing the Play for the Globe Space Taking the Play onto the Stage The Play in Performance Revelations and Discoveries PART THREE: NEW VOICES FROM THE PLAYHOUSE Toby Cockerell, Mark Rylance, William Russell, David Fielder, David Lear, Nick Fletcher, Rory Edwards, John McEnery, Richard Olivier, Craig Pinder, Jeanette Nelson, Sue Lefton, Matthew Scurfield, Steven Skybell, Bill Stewart, Ben Walden, Vince Brimble, Christian Carmargo, Rebecca Leniewicz, Jack Shepherd, Gaynor MacFarlane, Mike Alfreds, Maureen Beattie Appendix: The New Globe Acting Companies 1996 and 1997 Bibliography Index.
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Document
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What have we learned from the first experiments at the reconstructed Globe on Bankside? Written by the Leverhulme scholar appointed to study actor use of the space, this is the first analytical account of the discoveries that have been made in its important first years. Kiernan relates her findings to what we know of original staging practices in Shakespeare's time to show how actors, directors and playgoers have responded to the demands of 'historical' constraints - and unexpected freedoms - to offer valuable insights into the dynamics of Elizabethan theatre. Part I discusses the impact of the physical conditions of the space on performance, how the relationship between actor and audience sharing the same continuous light has meant a transformation in the role played by audiences, and a reappraisal of our understanding of the workings of dramatic illusion. The second part is a 'chronicle', based on a day-by-day record of the preparation and performances of the first full-scale production to follow 'authentic' staging practices, Henry V. Part III consists of a selection of interviews with actors and directors involved in the first seasons.
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'This book will act as a good interim guide to our experience of the new Globe, valuable for scholars and theatre goers.' - Times Higher Education Supplement.
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Undergraduate.
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PDF.
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PAULINE KIERNAN taught at University College, Oxford before being appointed, in 1995, the Leverhulme Research Fellow to study Shakespeare in Performance at Shakespeare's Globe, Bankside. She is author of Shakespeare's Theory of Drama, Shakespeare chapters in Year's Work in English Studies and several articles on Shakespeare. She is currently working on a new edition of Middleton's Chaste Maid in Cheapside, and essays on Shakespeare and Ovid. She is also a playwright and was winner of a Special Prize in the prestigious 1994 Mobil/Royal Exchange Theatre Playwriting Competition for her play on politics and the theatre at the Elizabethan court called Actors.
Ämnesord och genrebeteckningar
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Shakespeare, William, 1564-1616 Henry V
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Shakespeare, William, 1564-1616 Henry V
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Henrik V, kung av England, 1387-1422 In literature.
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Shakespeare, William, 1564-1616 Stage history England London.
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Shakespeare, William, 1564-1616 Stage history England London.
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Shakespeare, William, 1564-1616 Dramatic production.
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Shakespeare, William, 1564-1616 Dramatic production.
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Shakespeare, William, 1564-1616 Stage history 1950.
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Shakespeare, William, 1564-1616 Stage history 1950.
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Globe Theatre.
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Globe Theatre (London England : 1996- ).
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Theater History 20th century England London.
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Performing Arts. eflch
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