Ur innehåll: S. 1-33: Reel Reds, Real Americans: Politics and culture in the studio system. - S. 34-70: Popular nationalism, World War Two, and the new political filmmaking. - S. 71-96: Progressive producer in the studio system: Film noir and the production of Murder, my sweet. - S. 97-122: Thew must not escape: Cornered and the specter of postwar fascism. - S. 123-172: From The brick foxhole to Crossfire. - S. 173-220: Noir style and the politics of antifascism in Crossfire. - S. 221-263: Is it good for the Jews? The Jewish response to Crossfire. - S. 264-300: Shaping the public response to Crossfire. - S. 301-353: Americanism on trial: HUAC, the Hollywood Ten, and the politics of anti-communism. - S. 354-389: The triumph of anti-communist Americanism: The blacklist and beyond.