The psychophysical ear : musical experiments, experimental sounds, 1840-1910 / Alexandra Hui.

• Gustav Fechner, the day view and the origins of psychophysics ; From sonically moving forms to inaudible undertones: the new musical aesthetics of A. B. Marx, Eduard Hanslick and Hugo Riemann ; Sound materialized and music reconciled: Hermann Helmholtz ; The aesthetics of attention: Ernst Mach's accommodation experiments, his psychophysical musical aesthetics and his friendship with Eduard Kulke ; The bias of musikbewusstsein when listening in the laboratory, on the city streets and in the field. 

Ämnesord

Psykofysik  (sao)

Musikestetik  (sao)

Psychoacoustics  -- History -- 19th century (LCSH)

Psychoacoustics  -- History -- 20th century (LCSH)

Sound  -- Experiments -- History -- 19th century (LCSH)

Sound  -- Experiments -- History -- 20th century (LCSH)

Avant-garde (Music)  -- History -- 19th century (LCSH)

Avant-garde (Music)  -- History -- 20th century (LCSH)

Experimentell musik  -- historia (sao)

Auditiv perception  -- historia (sao)

Psykoakustik  -- historia (sao)

Tyskland  (sao)

Österrike  (sao)

1800-talet  (sao)

Indexterm och SAB-rubrik

Ij:df Musikestetik

Ij:do Musikpsykologi

Dodb Fysiologisk psykologi: sinnesförnimmelser, perception

Klassifikation

QP461 (LCC)

781.17 (DDC)

612.854 (DDC)

Ij:df (kssb/8)

Ij:do (kssb/8)

Dodb (kssb/8)