Imperfect worlds and dystopian narratives in contemporary cinema / edited by Artur Blaim and Ludmiła Gruszewska-Blaim.

• Ur innehåll: S. 13-20: Failed carnival: the metonymic dystopias in Werner herzog's Even dwarfs started small / Artur Blaim. - S. 21-30: Defamiliarzation of dystopian narratives: Esteban Sapir's The aerial / Barbara Klonowska. - S. 31-44: Of dystopia, desire and death: Goto, the island of flies / Zofia Kolbuszewska. - S. 45-62: Huxley/Orwell/Bradbury reloaded / Grzegorz Maziarczyk. - S. 65-76: Vague boundaries and re-configured senses: dystopia(s) in the making in David Cronenberg's Videodrome / Justyna Galant. - S. 77-92: Against the culture of fear: terror and romance in V for vendetta / Ludmila Gruszewska Blaim. - S. 93-108: Juliusz Machulski's Sexmission, or Paradise regained / Marta Komsta. - S. 111-130: Between dystopia and eutopia: Andrei Tarkovsky's Stalker / Andrej Stawomir Kowalczyk. - S. 131-152: Out of the drawer and back again: uropian satire in Juliusz Machulski's Kingsajz / Katarzyna Pisarska. - S. 153-168: East European Golgatha: constructing postmodern dustopia in Piotr Szulkin's Ga-ga: glory to the heroes / Ludmila Gruszewska Blaim & Patricja Wawrzyszak. - S. 169-182: On the impossibility of dystopia? Children of men of the apocalypse now / Urzula Terentowicz-Fotyga. 

Ämnesord

Dystopian films  -- History and criticism (LCSH)

Science fiction films  -- History and criticism (LCSH)

Motion pictures  -- Plots, themes, etc. (LCSH)

Sciencefictionfilm  (sfit)

Indexterm och SAB-rubrik

Utopia in films

Science-fiction films