More than illustrated music : aesthetics of hybrid media between pop, art and video / edited by Kathrin Dreckmann and Elfi Vomberg.

• Introduction by Kathrin Dreckmann and Elfi Vomberg <b>I MEDIA ARCHAEOLOGY: THE BEGINNING OF HYBRID MEDIA</b> 1 Music Video and Its Convergence Potential: From the Hybrid to the Permeable <i>Henry Keazor, Heidelberg University, Germany </i>2 Sound & Vision: Early Artists' Video and Music <i>Chris Meigh-Andrews, University of Central Lancashire, UK </i>3 The Process of Creating Was More Important Than the Object: Interview with Ulrike Rosenbach <b>II MEDIA ARCHIVES ON HYBRIDS</b> 4 It Belongs in a Museum? Music Videos in Danish Museum Exhibitions <i>Mathias Bonde Korsgaard, Aarhus University, Denmark </i>5 "No Returns for Dislike": How Music Videos and Video Art Entered the Living Room in the 1980s <i>Linnea Semmerling, Düsseldorf Inter Media Art Institute (IMAI), Germany </i>6 An Aura with Pencil, Brushes, and Pixels: Interview with Wulf Herzogenrath<i>,</i><i> </i><b>III HYBRID IMAGINES: MEDIA AESTHETICS BETWEEN POP AND IDENTITY</b> 7 "You Need To Calm Down" -- Stardom and Cancel Culture: The Music Video as an Audiovisual Protest Poster <i>Elfi Vomberg, Heinrich Heine University, Germany </i>8 Facing the Lens of the Camera: Bodies, Self-portraiture, Portraiture, and Identity in Women Artists' Video <i>Laura Leuzzi, Robert Gordon University, University of Abertay, UK </i>9 Spirit of Creation -- Between Documenting, Expressing, and Archiving: Interview with AnAkA <b>IV AESTHETICS OF POPULAR MEDIA HYBRIDS</b> 10 Trans* Bowie...Trans* Prince <i>Jack Halberstam, Columbia University, USA </i>11 "Black Queen and King": Iconographies of Self-empowerment, Canon, and Pop in the Current Music Video <i>Kathrin Dreckmann, Heinrich Heine University, Germany </i>12 Audiovisual Art Is About Hybridization: Interview with Barbara London <b>V FUTURE AESTHETICS ON HYBRID MEDIA</b> 13 Music Video Distortion and Posthuman Technogenesis <i>Kristen Lillvis, St. Catherine University, USA </i>14 Untimely Futures and the Art of Revolutionary Life <i>Jami Weinstein, Linkoping University, Sweden </i>15 Feeling Closer to the Track -- The Representation of Blackness in Music Video: Interview with Modu Sesay <b>VI MEDIA ART HYBRIDS</b> 16 Hold Up: Mapping the Boundaries of Music Video and Video Art <i>Kirsty Fairclough, Manchester Metropolitan University, UK </i>17 But Still... Is It Art? Contemporary Music Video, Art (Discourse), and Authority -- Revisited <i>Maren Butte, Heinrich Heine University, Germany </i>18 Time-based Media Art in Music Video -- One Does Something the Other Cannot: Interview with Julia Stoschek <i>Biographies</i> <i>Index</i>.

• "Examines the processes of hybridization between music video, film, and video art by presenting current theoretical discourses and exploring crucial questions of art practice"-- 

Ämnesord

Musikvideor  (sao)

Konst och musik  (sao)

Music videos.  (LCSH)

Art and music.  (LCSH)

Digital video: professional.  (bicssc)

Music recording & reproduction.  (bicssc)

Art and music.  (fast)

Music videos.  (fast)

Music videos  (LCSH)

Art and music  (LCSH)

Genre

Ej skönlitteratur 

Klassifikation

PN1992.8.M87 (LCC)

780.267 (DDC)