Visualities : perspectives on contemporary American Indian film and art / edited by Denise K. Cummings

• Introduction: Indigenous visualities -- pt -- 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo -- Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt -- 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen. 

Ämnesord

Indianer på film, USA  (sfit)

Etniska grupper på film, USA  (sfit)

Indianer i filmindustrin, USA  (sfit)

Indian arts  -- United States (LCSH)

Arts and society  -- United States (LCSH)

Indians of North America  -- Intellectual life (LCSH)

Indians of North America  -- Ethnic identity (LCSH)

Visual communication  -- United States (LCSH)

Indigenous films  -- United States (LCSH)

Indians in motion pictures  (LCSH)

Indian motion picture producers and directors  -- United States (LCSH)

Indian art  -- United States (LCSH)

Indian artists  -- United States (LCSH)

Indexterm och SAB-rubrik

Indigenous people's cinema

Klassifikation

E98.A73 (LCC)

700.89 (DDC)

I (kssb/8 (machine generated))