Sökning: onr:20844928 > In Real Life (Or El...
Fältnamn | Indikatorer | Metadata |
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000 | 07405cam a22014053a 4500 | |
001 | 20844928 | |
003 | SE-LIBR | |
005 | 20180404150949.0 | |
007 | cr ||| ||||| | |
008 | 170607s2017 sw |||||om||||000 ||swe|c | |
020 | a 9789177532934 | |
020 | z 9789177532941 | |
024 | 7 | a http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-2622 uri |
024 | 7 | a urn:nbn:se:uniarts:diva-2622 urn |
040 | a Se a | |
041 | a swe | |
042 | 9 EPLK | |
100 | 1 | a Nevanti, Kirsi4 aut |
245 | 1 0 | a In Real Life (Or Elsewhere)h [Elektronisk resurs]b om kreativa processer och parallella verkligheter i dokumentärfilm |
264 | 1 | a Lund :b Lunds universitet,c 2017 |
300 | a 85 | |
500 | a Konstnärlig doktorsexamen | |
502 | a Diss. , 2017 | |
506 | 0 | a gratis |
520 | a Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World. | |
650 | 7 | a Humanities and the Arts2 ssif |
650 | 7 | a Arts2 ssif |
650 | 7 | a Humaniora och konst2 ssif |
650 | 7 | a Konst2 ssif |
650 | 7 | a Performativa och mediala praktiker, med inriktning mot film och media/koreografi/opera/scen2 uniarts |
650 | 7 | a Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts2 uniarts |
650 | 7 | a Dokumentärfilm2 sfit |
650 | 7 | a Virtuell verklighet2 sfit |
650 | 7 | a Filmen och konsten2 sfit |
653 | a ethics documentary film | |
653 | a situational understanding | |
653 | a authenticity | |
653 | a reality | |
653 | a parallel realities | |
653 | a creative processes | |
653 | a know thyself | |
653 | a Images and the Worlds of Being | |
653 | a A Shift Between Worlds | |
653 | a director | |
653 | a film team | |
653 | a world | |
653 | a in real life (or elsewhere) | |
653 | a IRL | |
653 | a VR | |
653 | a Virtual Reality | |
653 | a AR | |
653 | a Augmented Reality | |
653 | a life as stage manager | |
653 | a reflections on space | |
653 | a journey | |
653 | a snippet of time | |
653 | a interpretation of reality | |
653 | a protagonist | |
653 | a cinema | |
653 | a cinematic means | |
653 | a universe | |
653 | a imagination | |
653 | a artistic research | |
653 | a presence of the camera | |
653 | a existence | |
653 | a the act of seeing | |
653 | a visual knowledge | |
653 | a intuition | |
653 | a practical knowledge | |
653 | a communication | |
653 | a fictional | |
653 | a gender bending | |
653 | a identity | |
653 | a visual art | |
653 | a vantage point | |
653 | a unreality | |
653 | a art | |
653 | a vision | |
653 | a photography | |
653 | a cinematography | |
653 | a sound design | |
653 | a editing | |
653 | a directing | |
653 | a life science | |
653 | a Documentaries | |
653 | a Virtual reality | |
653 | a Art and the cinema | |
655 | 7 | a government publication2 marcgt |
700 | 1 | a Gislén, Ylva4 ths |
700 | 1 | a PeÅ, Holmquist4 ths |
700 | 1 | a Bornemark, Jonna4 opn |
710 | 1 | a Stockholms konstnärliga högskolab Institutionen för film och media4 pbl |
772 | 0 8 | i channel recordw 20835102 |
776 | 0 8 | i Annat formatz 9789177532941 |
856 | 4 0 | u http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-262 |
856 | 4 0 | u http://lup.lub.lu.se/record/eb3eaef0-83ac-4f7d-9e1b-078d83d85497 |
856 | 4 0 | u http://uniarts.diva-portal.org/smash/get/diva2:1104768/FULLTEXT01 |
856 | 4 0 | u http://uniarts.diva-portal.org/smash/get/diva2:1104768/FULLTEXT02 |
856 | 4 0 | u http://uniarts.diva-portal.org/smash/get/diva2:1104768/FULLTEXT03 |
856 | 4 0 | u http://uniarts.diva-portal.org/smash/get/diva2:1104768/FULLTEXT04 |
856 | 4 0 | u http://uniarts.diva-portal.org/smash/get/diva2:1104768/FULLTEXT05 |
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