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In Real Life (Or Elsewhere) [Elektronisk resurs] om kreativa processer och parallella verkligheter i dokumentärfilm

Nevanti, Kirsi (författare)
Gislén, Ylva (preses)
PeÅ, Holmquist (preses)
Bornemark, Jonna (opponent)
Stockholms konstnärliga högskola Institutionen för film och media (utgivare)
ISBN 9789177532934
Publicerad: Lund : Lunds universitet, 2017
Svenska 85
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  • E-bokAvhandling(Diss. , 2017)
Sammanfattning Ämnesord
Stäng  
  • Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World. 

Ämnesord

Humanities and the Arts  (ssif)
Arts  (ssif)
Humaniora och konst  (ssif)
Konst  (ssif)
Performativa och mediala praktiker, med inriktning mot film och media/koreografi/opera/scen  (uniarts)
Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts  (uniarts)
Dokumentärfilm  (sfit)
Virtuell verklighet  (sfit)
Filmen och konsten  (sfit)

Genre

government publication  (marcgt)

Indexterm och SAB-rubrik

ethics documentary film
situational understanding
authenticity
reality
parallel realities
creative processes
know thyself
Images and the Worlds of Being
A Shift Between Worlds
director
film team
world
in real life (or elsewhere)
IRL
VR
Virtual Reality
AR
Augmented Reality
life as stage manager
reflections on space
journey
snippet of time
interpretation of reality
protagonist
cinema
cinematic means
universe
imagination
artistic research
presence of the camera
existence
the act of seeing
visual knowledge
intuition
practical knowledge
communication
fictional
gender bending
identity
visual art
vantage point
unreality
art
vision
photography
cinematography
sound design
editing
directing
life science
Documentaries
Virtual reality
Art and the cinema
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