Screens and veils : Maghrebi women's cinema / Florence Martin.

• Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. 

Ämnesord

Kvinnor i filmen  (sao)

Women in motion pictures  (LCSH)

Motion pictures  -- Africa, North -- History -- 20th century (LCSH)

Motion pictures  -- Africa, North -- History -- 21st century (LCSH)

Women motion picture producers and directors  -- Africa, North (LCSH)

Motion pictures  -- Social aspects -- Africa, North (LCSH)

Slöjor  (kao)

Kvinnobilden  (kao)

Nordafrika  (sfit)

Kvinnor på film, Nordafrika  (sfit)

Regissörer, kvinnor, Nordafrika  (sfit)

Regissörer  -- producenter -- film -- Algeriet -- Marocko -- Tunisien -- 1900-talet -- 2000-talet (kao)

Kvinnliga filmregissörer  -- Nordafrika (sao)

Women in motion pictures  (LCSH)

Africa, North  -- In motion pictures (LCSH)

Indexterm och SAB-rubrik

Women filmmakers, Africa, North

Women in films, Africa, North

Klassifikation

PN1993.5.A35 (LCC)

791.430961 (DDC)

Imb-p (kssb/8 (machine generated))