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Sökning: onr:lvqhn7z5jv451fk2 > Cinema between media :

  • Bruhn, Jørgen,1968- (författare)

Cinema between media : an intermediality approach /Jørgen Bruhn and Anne Gjelsvik.

  • BokEngelska2018

Förlag, utgivningsår, omfång ...

  • Publicerad:Edinburgh :Publicerad:Edinburgh University Press,Publicerad:[2018]
  • Copyright:©2018
  • vi, 154 pagesillustrations (some color)24 cm
  • texttxtrdacontent
  • still imagestirdacontent
  • unmediatednrdamedia
  • volumencrdacarrier
  • 24 cm

Nummerbeteckningar

  • LIBRIS-ID:lvqhn7z5jv451fk2
  • ISBN:1474429017
  • ISBN:9781474429016
  • ISBN:1474429025
  • ISBN:9781474429023
  • Ogiltigt nummer / annan version:9781474429030 (webready pdf)
  • Ogiltigt nummer / annan version:9781474429047 (epub)

Kompletterande språkuppgifter

  • Språk:engelska

Klassifikation

Anmärkningar

  • Includes bibliographical references and index.
  • Chapter 1: Introduction Cinema Between Media -- Chapter 2: Media behind the Scene: Orson Welles’s Citizen Kane -- Chapter 3: Cinematic Theatre: Alejandro G. Inárritu’s Birdman -- Chapter 4: A Novelist on Film? Joachim Trier’s Louder Than Bombs -- Chapter 5: Between Cinema and Photography: Jan Troell’s Eternal Moments -- Chapter 6: Mixing senses and media: Epstein and Friedman’s Howl -- Chapter 7: Surveilling Media: Kathryn Bigelow’s Zero Dark Thirty -- Chapter 8: Cinematic representations of a "super wicked problem": climate change in documentary film (Ice and the Sky and Chasing Ice) -- Chapter 9: Conclusion
  • Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality.

Ämnesord och genrebeteckningar

Biuppslag (personer, institutioner, konferenser, titlar ...)

  • Gjelsvik, Anne,1965- (författare)

Länkade data-URI:er (test)

  • https://id.kb.se/term/sao/Film (Film sao)
  • https://id.kb.se/term/sao/Intermedialitet (Intermedialitet sao)
  • https://id.kb.se/term/saogf/Analys%20och%20tolkning (Analys och tolkning saogf)
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