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Para-espaces dans le théâtre français de la période romantique (1828-1835) [Elektronisk resurs]

Manuguerra, Nicolas, 1980- (författare)
Kullberg, Christina, 1973- (preses)
Nye, Edward (preses)
Farrant, Tim (opponent)
Uppsala universitet Humanistisk-samhällsvetenskapliga vetenskapsområdet (utgivare)
Publicerad: Uppsala : Acta Universitatis Upsaliensis, 2019
Franska 302
Serie: Studia Romanica Upsaliensia, 0562-3022 0562-3022 ; 88
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  • E-bokAvhandling(Diss. Uppsala : Uppsala universitet, 2019)
Sammanfattning Ämnesord
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  • This thesis deals with the functions of prevalent threshold-like spaces such as windows, stairs, doors or balconies in theatre plays from the height of the Romantic era in France (1828-1835). The study coins the concept of « para-espaces » (para-spaces) and elucidates the way they mediate between different divisions of the spatiotemporal structure of a play. It applies a textual approach with a deeper focus on the inherent permeability of para-espaces, rather than merely their capacity to impose physical or symbolic limits. It aims to shed light on the impact of para-espaces on the structures of the dramatic text, to observe how they contribute to a redefinition of the relations between the stage and its surroundings – spatially and temporally, and to discern how they affect the poetics and aesthetics of theatre productions during the Romantic period. The analysis is based on a corpus of 36 plays representing different authors and genres.  The theoretical part of the thesis revisits the fundaments of the notion of “dramatic space” and defines the concept of “para-espaces”, as well as discussing their potential to occupy a key place in global spatiotemporal structures of plays. It investigates how they mediate between the “actual space” (the stage) and “virtual spaces” (its spatiotemporal surroundings). The first chapter of the analysis deals with para-espaces as “spatio-dramatic pivot points”, i.e. as the spatial, actionnal and symbolic anchors of many plays. The second chapter focuses on sound permeability and how para-espaces are used to mediate information and heighten tensions between what is exposed on stage and what is hidden from sight. Para-espaces also convey visual information from the offstage space. The third chapter focuses on the prevalent rhetorical figure of “teichoscopie”, examining the benefits of placing part of the action offstage. It argues that this phenomenon, by allowing for a systematic emphasis on emotional reactions on stage, influences both the type of text it generates (in both monological and dialogical structures) and the relative disappearance of the role of the “confidant” among the  dramatis personae . The fourth chapter addresses the ambiguities of para-espaces as mechanisms for both openness and closeness in the works of Alexandre Dumas, and elucidates how he uses them to build up tension, as well as to deepen the characterization of the protagonists of his plays. The fifth and final chapter discusses the inscription of para-espaces in the predominant aesthetic of “the spectacular”, finding that they often deviate from their original function in order to actualize tensions related to identity and social roles in nineteenth-century France. 

Ämnesord

Humanities and the Arts  (hsv)
Languages and Literature  (hsv)
Specific Literatures  (hsv)
Humaniora och konst  (hsv)
Språk och litteratur  (hsv)
Litteraturstudier  (hsv)
Literature  (uu)
Litteraturvetenskap  (uu)
Romanska språk  (uu)
Romance Languages  (uu)

Genre

government publication  (marcgt)

Indexterm och SAB-rubrik

French literature
theatre
theatre studies
19th century
drama
romantic drama
romanticism
space
spatiotemporality
para-espaces
threshold
permeability
transition
mediation
stage
offstage
windows
doors
staircase
stairs
balcony
Littérature française
théâtre
dix-neuvième siècle
romantisme
drame
drame romantique
espace
seuil
spatiotemporalité
para-espaces
passage
médiation
transition
frontière
limite
perméabilité
contaminations
scène
hors-scène
teichoscopie
portes
fenêtres
balcons
escaliers
Victor Hugo
Alexandre Dumas
Eugène Scribe
Casimir Delavigne
Jacques Ancelot
René-Charles Guilbert de Pixerécourt
Auguste Anicet-Bourgeois
Frédéric Soulié
Alfred de Vigny
Alfred de Musset
Victor Ducange
Felix Pyat
Auguste Luchet.
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