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Music in the post-9/11 world / edited by Jonathan Ritter, J. Martin Daughtry.

Ritter, Jonathan. (redaktör/utgivare, bidragsgivare)
Daughtry, J. Martin. (redaktör/utgivare, bidragsgivare)
ISBN 0415978068
New York : Routledge, c2007.
Engelska xxxi, 328 p.
  • Bok
Innehållsförteckning Sammanfattning Ämnesord
  • Charting courses through terror's wake : an introduction / J. Martin Daughtry.
  • pt. 1. Music, the United States, and the mass media after 9/11. Pop goes to war, 2001-2004 : U.S. popular music after 9/11 / Reebee Garofalo -- "America : a tribute to heroes" : music, mourning, and the unified American community / Kip Pegley and Susan Fast -- The sounds of American and Canadian television news after 9/11 : entoning horror and grief, fear and anger / James Deaville -- Models of charity and spirit : Bruce Springsteen, 9/11, and the War on Terror / Bryan Garman -- Double voices of musical censorship after 9/11 / Martin Scherzinger -- "Have you forgotten?" : Darryl Worley and the musical politics of Operation Iraqi Freedom / Peter J. Schmelz -- For alle Menschen? : classical music and remembrance after 9/11 / Peter Tregear.
  • pt. 2. Music and 9/11 beyond the United States. Terror in an Andean key : peasant cosmopolitans interpret 9/11 / Jonathan Ritter -- Exploding myths in Morocco and Senegal : Sufis making music after 9/11 / Larry Blumenfeld -- Corridos of 9/11 : Mexican ballads as commemorative practice / John Holmes McDowell -- "I'll tell you why we hate you!" : Sha?ba?n ?Abd al-Rah?i?m and Middle Eastern reactions to 9/11 / James R. Grippo -- 9/11 and the politics of music-making in Afghanistan / Veronica Doubleday.
  • From the Publisher: Music in the Post 9/11 World is the first book to examine the crucial role that music has played in the world's reaction to the attacks of September 11, 2001. Several authors eloquently describe how the events of September 11 served as a direct catalyst for artistic expression and commentary. This is one dimension of music in the post-9/11 world. Others approach the topic from a different angle, demonstrating how political and military actions that were initiated in the wake of 9/11 profoundly altered the environment in which music was created and performed. Bills like the Patriot Act have indirectly affected popular music by discouraging the expression of dissent, while major media conglomerates-that control radio, TV, and newspapers-have self-censored the music that is heard over the airwaves and reviewed in the media. 


Musik och samhälle  (sao)
Populärmusik  -- Förenta staterna (sao)
Popular music  -- Political aspects. (LCSH)
September 11 Terrorist Attacks, 2001  -- Songs and music -- History and criticism. (LCSH)
War on Terrorism, 2001-2009  -- Songs and music -- History and criticism. (LCSH)
Music  -- Social aspects (LCSH)


ML3918.P67 (LCC)
780.9/05 (DDC)
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