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A companion to Frederico Fellini / edited by Frank Burke, Marguerite Waller, Marita Gubareva.

Burke, Frank (redaktör/utgivare)
Waller, Marguerite R., 1948- (redaktör/utgivare)
Gubareva, Marita (redaktör/utgivare)
ISBN 9781119431534
Publicerad: Chichester, West Sussex ; Wiley-Blackwell, 2020
Engelska xxxviii, 537 pages
Serie: Wiley Blackwell companions to film directors ; 17
  • Bok
Innehållsförteckning Sammanfattning Ämnesord
  • Part I: Fellini and friends -- Introduction / Marguerite Waller and Frank Burke -- Fellini, the artist and the man: An interview with Vincenzo Mollica / Franke Burke (with Marita Gubareva) -- Fellini: Backstory and a dream / Goffredo Fofi -- A certain freedom in filmmaking / Lina Wertmüller -- A bit of everything happened: My experience of La dolce vita / Valeria Ciangottini -- Fellini a casa nostra / Carlo and Luca Verdone -- Part II: Beginnings, inspirations, intertexts -- Neorealism masked: Fellini’s films of the 1950s / Stefania Parigi -- Fellini’s graphic heritage: Drawings, comics, animation, and beyond / Marco Bellano -- In bed with Fellini: Jung, Ernst Bernhard, night work, and Il libro dei sogni / Erika Suderberg -- Fellini and esotericism: An ambiguous adherence / Federico Pacchioni -- Circo Fellini / Adriano Aprá -- Fellini’s sense of place / John Agnew -- “Il viaggio di G. Mastorna”: Fellini Entre Deux Morts / Alessandro Carrera -- An “incapacity to affirm”: Fellini’s aesthetics and the decadent movement / Marita Gubareva -- Fellini and fashion, a two-way street: An interview with Gianluca Lo Vetro / The editors -- Part III: Collaborations -- Ennio, Tullio, and the others: Fellini and his screenwriters / Giaime Alonge -- Fellini and his producers: Strange bedfellows / Barbara Corsi and Marina Nicoli -- Masina and Mastroianni: Reconfiguring C. G. Jung’s Animus and Anima / Victoria Surliuga -- Part IV: Aesthetics and film language -- “Io non me ne intendo”: Fellini’s relationship to film language / Marco Vanelli -- Fellini’s visual style(s): a phenomenological account / Hava Aldouby -- The liquid hyperfilm: Fellini, Deleuze, and the sea as Forza Generatrice / Amy Hough-Dugdale -- Sounding out Fellini: An aural continuum of voices, musics, noises / Antonella Sisto -- Fellini and the aesthetics of intensity / Paolo Bertetto -- Egli Danza: Fellini’s contexts and influence from before Rossellini to Sorrentino and beyond / Vito Zagarrio -- Part V: Contemporary dialogues -- Remote control politics: Federico Fellini and the politics of parody / Kriss Ravetto-Biagioli -- “Il Maestro” dismantles the master’s house: Fellini’s undoing of gender and sexuality / Marguerite Waller -- Racial difference and the postcolonial imaginary in the films of Federico Fellini / Shelleen Greene -- Environmental Fellini: Petroculture, the Anthropocene, and the cinematic road / Elena M. Past -- Part VI: Receptions, appropriations, dispersions -- Fellini’s critical reception in Italy / Nicola Bassano -- Fellini’s reception in France / Albert Sbragia -- The Fellini brand: Marketing appropriations of the Fellini name / Rebecca Bauman -- Fellini remixed: Anglo-American film and television appropriations / Frank Burke -- Il ritorno in patria: From Rimini to Winnipeg by way of the Alps / Russell J. A. Kilbourn -- Fellini and South Asian cinemas / Esha Niyogi De -- Interview with Tanvir Mokammel / Esha Niyogi De -- Roma, Fellini, and me / Amara Lakhous -- Fellini and Turkey: Influence and image / Cihan Gundogdu -- Fellini in Japan / Earl Jackson -- Fellini in Russia / Naum Kleiman -- Fellini in the Cuban Context / Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez -- Part VII: Short takes on individual films -- Lo sceicco bianco (The white sheik 1952) / Dom Holdaway -- La strada (1954) / Giuseppe Natale -- Le notti de Cabiria (Nights of Cabiria)¬¬—Cabiria in the classroom: Teaching Fellini in the twenty-first century / Aine O’Healy -- La dolce vita (1960) / Mark Nicholls -- Oh, My 8 ½ / Caroline Thompson -- Giulietta degli spiriti (Juliet of the spirits): A twenty-first century users’ guide / Erika Suderberg -- Fellini-Satyricon / Cristina Villa -- Roma: Amor through the looking-glass / Rebecca West -- Il Casanova di Federico Fellini (Fellini’s Casanova) in the age of #metoo / Alberto Zambenedetti -- Prova d’orchestra (orchestra rehearsal) and E la nave va (and the ship sails on) / John Paul Russo -- Intervista: There are no rules / Elan Mastai -- Appendices: Foundations and archives for Fellini research -- Appendix A: Rimini and Fellini: The Fondazione Fellini, the cineteca di Rimini, the Museo Fellini, and CircAmarcord / Marco Andreucci -- Appendix B: Additional archival sources / The editors.
  • "I remember hearing, around the middle of December on the verge of the year 2000, that the BBC had compiled a list of a hundred names, chosen from among the most eminent figures of every nation of the world, to commit to the memory of the new millennium. From Italy, only Federico Fellini made the list. Not a scientist, Enrico Fermi or Guglielmo Marconi, for example, but an artist of the cinema who more than anyone else had left an impression on the imaginary of the century"-- 


Filmregissörer  (sao)
Motion picture producers and directors  (LCSH)
Italien  (sao)


Analys och tolkning  (saogf)
Criticism, interpretation, etc.  (fast)


Fellini, Federico -- Criticism and interpretation.
Fellini, Federico, 1920-1993


PN1998.3.F45 (LCC)
791.430233092 (DDC)
Imab (kssb/8 (machine generated))
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